Quick diagnosis: which telling lines should you fix first?
Start by fixing lines that name a feeling without showing any action. These are usually the fastest quality gains for Year 5 writers.
High-impact lines to highlight first
- "I was scared."
- "She was angry."
- "It was a creepy place."
- "He was nervous and worried."
- "It was really exciting."
Do not mark everything. Pick two or three weak lines and coach those well. If you want a broader review routine first, use this parent marking guide. For full-topic support, keep the 11+ creative writing hub open alongside this page.
20 show-not-tell swaps you can use this week
Use these as models, not scripts to memorise. Encourage your child to keep the same meaning while changing the detail.
Emotion swaps
- Tell: I was scared. Show: My fingers slipped off the door handle, and I wiped my hand on my jumper before trying again.
- Tell: She was angry. Show: She shoved the chair back so hard it scraped across the floor.
- Tell: He was embarrassed. Show: He stared at his shoes and answered so quietly that only I heard him.
- Tell: I was excited. Show: I read the message twice, grinning before I even finished the last line.
- Tell: They were worried. Show: They kept glancing at the clock and speaking in half-sentences.
Setting swaps
- Tell: It was a creepy corridor. Show: The corridor lights buzzed, and every classroom door stood slightly open.
- Tell: The garden was peaceful. Show: Only the fountain moved, and even the pigeons stayed still on the fence.
- Tell: The room was messy. Show: Exercise books slid off the desk, and socks hung from the lamp shade.
- Tell: The street was noisy. Show: Buses hissed at the kerb while two market traders shouted over each other.
- Tell: It was a cold morning. Show: My breath clouded the air as I waited for the gate to open.
Action and tension swaps
- Tell: He ran quickly. Show: He took the stairs two at a time and nearly missed the final step.
- Tell: She moved carefully. Show: She pressed one hand against the wall and tested each floorboard before stepping.
- Tell: I opened the letter nervously. Show: I slid a thumb under the flap, stopped, then tore it open in one pull.
- Tell: The noise scared us. Show: The bang echoed down the hall, and all three of us froze mid-sentence.
- Tell: It was hard to breathe. Show: Each breath came short and sharp, as if the air had shrunk around me.
Dialogue and reaction swaps
- Tell: Dad sounded worried. Show: "Stay where you are," Dad said, already reaching for his keys.
- Tell: She answered rudely. Show: "Ask someone else," she snapped, without looking up.
- Tell: He was surprised. Show: "Wait... what?" he said, blinking at the screen.
- Tell: They were relieved. Show: "Thank goodness," Mum said, dropping her shoulders for the first time all evening.
- Tell: I felt confident. Show: "I know what to do," I said, and this time my voice stayed steady.
For more side-by-side writing models, use 11+ creative writing examples with parent commentary and this annotated fear paragraph.
A 3-step coaching routine that works at home
- Choose one paragraph: avoid whole-story rewrites.
- Mark three telling lines: usually feeling or setting lines.
- Replace only two lines first: read aloud, then decide if a third swap helps.
What to say while coaching
"Pick one line the reader cannot picture yet. What can the character do, notice, or say instead? Keep your idea, but make it visible."
This routine pairs well with a low-stress weekly writing routine so progress does not depend on long sessions.
Worked example: from flat telling to stronger detail
This Year 5 corridor scene keeps the same story idea but improves image and tension.
Before
I was scared when I walked to the music room. It was creepy and quiet. I heard a noise and I was worried, then I opened the door slowly.
After
My shoes squeaked as I walked towards the music room, and I kept checking behind me even though the corridor was empty. The strip light above the door flickered once, then hummed in the silence. A quick tap came from inside. I held my breath, pressed my palm to the handle, and pushed the door open an inch.
Why the second version is stronger
- Shows fear through behaviour (checking behind, holding breath).
- Uses sound and light detail instead of vague adjectives.
- Ends on a controlled action that creates suspense.
Compare this with the suspense annotated example to see how detail and pacing work together.
Practice task: the 15-minute Swap Hunt
Use this task once a week after a normal writing prompt.
- 2 minutes: child highlights five telling lines in their own draft.
- 6 minutes: choose three lines and rewrite them using action, reaction, or sensory detail.
- 5 minutes: read both versions aloud and keep the better line each time.
- 2 minutes: parent sets one target for next week (for example, "show fear through movement").
Parent feedback checklist
- Can I picture what happened?
- Did the rewrite stay clear?
- Did we avoid adding random advanced vocabulary?
- Do we have one clear next-step target?
Need fresh prompts for this drill? Use mystery prompts or the Year 5 writing hub.
FAQs for parents and tutors
How many show-not-tell swaps should we do in one session?
For most Year 5 children, two to four swaps is enough. Focus on quality and clarity, then stop before the work feels overloaded.
Do simple words still count as show not tell?
Yes. Show-not-tell is about specific action, reaction, and detail, not complicated vocabulary. Simple wording often works best.
Should every sentence be show not tell?
No. Some telling lines help pace and clarity. Use showing at key moments like emotion, tension, and important scene changes.
My child writes longer sentences after swaps but they become messy. What should I do?
Keep one idea per sentence first. If a new sentence is confusing, split it into two clear lines and keep the strongest detail.
What should I mark first in a show-not-tell rewrite?
Mark one priority first: usually weak feeling statements such as "I was scared". Replace those with concrete reactions before editing anything else.
Related hubs for this topic
Use the 11+ creative writing hub for more examples, then move to the story planning hub to apply these swaps in full story structure.
Turn flat drafts into clear next-step improvements
Use 11 Plus Writing Coach to get focused feedback on what to keep, what to swap, and what to practise next so weekly writing sessions stay calm and productive.